Indian Rock Bands, Single Reviews
Single Reviews (8)
After the success of their debut album XONGRAM, the Old-School based Metal guys from Assam, SHADES OF RETRIBUTION released yet another jaw dropping single BIBHOTSO featuring vocalist Andy Nesbitt (WOLVES OF ANSON) from Ontario, Canada.
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After hitting the right chords on stage, JOSHISH is all set to take the studio track with their new release, BETUKAY. The five year old Progressive/Experimental Rock band from Bhopal, consisting of Sameer Rahat- Bass, Lead Vocals; Shwetang Shankar- Drums, Backup Vocals; Shatarchi Hundet- Lead Guitars; Amit Mishra- Studio/Guitars; and Samar Mehdi- Guitars/Keyboards and Vocals, has earned itself quite a following with their stage acts. But what has got their followers wondering is whether they will be able to convert their energy on stage to the recording studio. BETUKAY is the answer – Yes, they can!
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North-East is churning out young, talented bands over the years and an addition to the region’s premier live acts ,VIRGIN CREEP, throughout their one year of journey have reached maturity.
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Guwahati, Assam based three piece Experimental Death Metal outfit, ARIHANT represents ‘Destroyer of enemies as a sign of brutality’. A blend of Technical Death Metal garnished with Modern Death Metal, ARIHANT is a complete sheaf of the Brutal/Death Metal act! Started by Angshuman Hazarika(Drummer) and Pikashu(former Guitarist), the band started playing brutal stuffs and went on exploring Extreme Metal. With a new line-up on May 2011, they released their first single SELF-HATRED on June 2011. The present line-up’s are: Rituraj (Vocals/Bass), Bhaskar (Guitars) and Angshuman(Drums).
AGHOR ANDHAKAR is a Delhi based one man Black Metal project. Debut single INVADING MOTHERLAND is a pure manifestation of atmospheric ambience. While the music relates to the dark tyrannical times faced by human civilization, it also takes a sucessful attempt at showcasing man’s fervent approach to the dark times. The song opens with the sound of a person chasing down another with a horse while the person pleads the other to spare him for the last time- a short yet effective demonstration of what the overall theme of the song circles around. The solid intro is followed by the distortion layers of the guitars gradually increasing the torment – while the atmospheric vocals do much to shed light at the pain and suffering of the same.The song embraces a lot of variation- one that tends to grow on you with repeated listens . The instrumental melancholic strain makes for a jaw-breaking end.